- \n
- Na co si d\u00e1t p\u0159i p\u0159ekladu p\u00edsn\u00ed pozor<\/li>\n\n\n\n
- Zachov\u00e1n\u00ed rytmu p\u0159i p\u0159ekladu p\u00edsn\u00ed<\/li>\n\n\n\n
- Co up\u0159ednostnit p\u0159i p\u0159ekladu p\u00edsn\u00ed<\/li>\n\n\n\n
- Poetick\u00fd p\u0159eklad p\u00edsni\u010dek<\/li>\n\n\n\n
- Doslovn\u00fd p\u0159eklad p\u00edsn\u00ed<\/li>\n<\/ul>\n\n\n\n
![\"\"](\"https:\/\/www.presto.cz\/wp-content\/uploads\/2025\/03\/image-11-1024x683.png\")
<\/figure>\n\n\n\nNa co si d\u00e1t p\u0159i p\u0159ekladu p\u00edsn\u00ed pozor?<\/h2>\n\n\n\n
Na prvn\u00ed pohled se zahrani\u010dn\u00ed p\u00edsn\u011b, zejm\u00e9na\u00a0anglicky<\/strong><\/a>\u00a0zp\u00edvan\u00e9,\u00a0mohou zd\u00e1t jednoduch\u00e9<\/strong>. V\u011bty jsou \u010dasto kr\u00e1tk\u00e9, slova jednoduch\u00e1, nav\u00edc jich nen\u00ed moc, a je\u0161t\u011b se \u010dasto opakuj\u00ed. Jen\u017ee ve chv\u00edli, kdy se rozhodnete p\u00edse\u0148 p\u0159elo\u017eit, abyste ji mohli zp\u00edvat v\u00a0\u010desk\u00e9m jazyce, zjist\u00edte, \u017ee to tak lehk\u00e9 v\u016fbec nen\u00ed a v\u00fdsledn\u00e9 zn\u011bn\u00ed \u010dasto ani ned\u00e1v\u00e1 smysl.<\/p>\n\n\n\n
Amat\u00e9r\u0161t\u00ed p\u0159ekladatel\u00e9 \u010dasto p\u0159ekl\u00e1daj\u00ed slovo od slova v nad\u011bji, \u017ee zachyt\u00ed podstatu p\u00edsn\u011b a p\u0159evedou ji do c\u00edlov\u00e9ho jazyka ji beze zm\u011bn. T\u00edm se bohu\u017eel ve v\u011bt\u0161in\u011b p\u0159\u00edpad\u016f nikam nedostanou a p\u016fvodn\u00ed v\u00fdznam textu se tak akor\u00e1t prom\u011bn\u00ed v nesmysln\u00fd v\u00fdtvor<\/strong>.<\/p>\n\n\n\n
P\u00edsn\u011b, zejm\u00e9na pak ty americk\u00e9, jsou toti\u017e zpravidla pln\u00e9 metafor, slang\u016f, hovorov\u00fdch v\u00fdraz\u016f<\/strong> a v\u00fdznamov\u00fdch nuanc\u00ed, kter\u00e9 se nep\u0159ekl\u00e1daj\u00ed snadno. P\u0159edt\u00edm, ne\u017e se do p\u0159ekladu p\u00edsn\u011b tedy pust\u00edte, mus\u00edte porozum\u011bt procesu, jak\u00fdm se p\u00edsn\u011b vytv\u00e1\u0159ej\u00ed<\/strong> a pravidla, kter\u00fdmi se p\u0159itom \u0159\u00edd\u00ed. Ty se t\u00fdkaj\u00ed nejen s\u00e9mantiky slov a syntaxe, ale tak\u00e9 r\u00fdmu, metriky a rytmu.<\/p>\n\n\n\n
Zachov\u00e1n\u00ed rytmu p\u0159i p\u0159ekladu textu p\u00edsn\u00ed<\/h2>\n\n\n\n
Text p\u00edsn\u011b nelze p\u0159elo\u017eit jen tak. V\u00fdsledn\u00fd\u00a0p\u0159eklad p\u00edsn\u011b<\/strong><\/a>\u00a0by m\u011bl m\u00edt v\u00a0prvn\u00ed \u0159ad\u011b\u00a0stejn\u00fd rytmus jako origin\u00e1ln\u00ed zn\u011bn\u00ed<\/strong>. Vzhledem k\u00a0tomu, \u017ee v\u00a0ka\u017ed\u00e9m jazyce je k\u00a0vyj\u00e1d\u0159en\u00ed jedn\u00e9 my\u0161lenky pot\u0159eba jin\u00fd po\u010det slov, nen\u00ed mo\u017en\u00e9 p\u0159ekl\u00e1dat text zcela doslovn\u011b, jeliko\u017e by se t\u00edm rytmus zm\u011bnil. Nav\u00edc by p\u0159i takov\u00e9m p\u0159ekladu doch\u00e1zelo k\u00a0tomu, \u017ee by text zn\u011bl podivn\u011b a nesrozumiteln\u011b.<\/p>\n\n\n\n
N\u011bkter\u00e9 texty p\u00edsn\u00ed maj\u00ed velmi specifick\u00fd styl, proto\u017ee obsahuj\u00ed slovn\u00ed h\u0159\u00ed\u010dky nebo stylistick\u00e9 figury<\/strong>, jako je nap\u0159\u00edklad aliterace (na za\u010d\u00e1tku po sob\u011b jdouc\u00edch slov se opakuje stejn\u00e1 hl\u00e1ska nebo skupina hl\u00e1sek). Tento styl se o to h\u016f\u0159e p\u0159ekl\u00e1d\u00e1 kv\u016fli mno\u017estv\u00ed slov, kter\u00e9 rytmus vy\u017eaduje. Ve chv\u00edli, kdy v\u0161ak tento um\u011bleck\u00fd styl nen\u00ed respektov\u00e1n, p\u00edse\u0148 ztr\u00e1c\u00ed sv\u00e9 p\u016fvodn\u00ed kouzlo<\/strong>.<\/p>\n\n\n\n
V\u0161echny v\u00fd\u0161e zmi\u0148ovan\u00e9 aspekty ovlivn\u00ed to, jak bude v\u00fdsledn\u00fd text p\u0159elo\u017een. Abyste zachovali rovnov\u00e1hu mezi origin\u00e1lem a p\u0159elo\u017eenou verz\u00ed p\u00edsn\u011b, je dobr\u00e9 zvolit kompromis a prov\u00e9st pouze jemn\u00e9 zm\u011bny<\/strong>.<\/p>\n\n\n\n
Co up\u0159ednostnit p\u0159i p\u0159ekladu p\u00edsn\u011b?<\/h2>\n\n\n\n
To, co odli\u0161uje jeden jazyk od druh\u00e9ho, jsou pravopisn\u00e1 pravidla, gramatika a v\u00fdslovnost. P\u0159i p\u0159ekladu p\u00edsn\u011b z jednoho jazyka do jin\u00e9ho m\u00e1 smysl d\u00e1t slov\u016fm trochu jin\u00fd v\u00fdznam a zachovat jej\u00ed melodick\u00fd zvuk, m\u00edsto aby byla pro rodil\u00e9 mluv\u010d\u00ed jazyka, do kter\u00e9ho je p\u0159ekl\u00e1d\u00e1na, nesrozumiteln\u00e1 a v\u00e1gn\u00ed<\/strong>.<\/p>\n\n\n\n
Nejlep\u0161\u00edm zp\u016fsobem, jak takov\u00e9ho p\u0159ekladu dos\u00e1hnout, je vyu\u017e\u00edt jednu ze dvou kl\u00ed\u010dov\u00fdch technik p\u0159ekladu p\u00edsn\u00ed<\/strong>. P\u0159eklad p\u00edsni\u010dek je bezpochyby kreativn\u00ed pr\u00e1ce, kter\u00e1 vy\u017eaduje velk\u00e9 \u00fasil\u00ed. Existuj\u00ed v\u0161ak dva zp\u016fsoby, jak ji prov\u00e9st.<\/p>\n\n\n\n
Poetick\u00fd p\u0159eklad p\u00edsni\u010dek<\/h2>\n\n\n\n
Prvn\u00ed technika p\u0159ekladu se naz\u00fdv\u00e1 poetick\u00fd p\u0159eklad. Jedn\u00e1 se o voln\u00fd typ p\u0159ekladu<\/strong>, p\u0159i kter\u00e9m se p\u0159ekl\u00e1dan\u00fd text nedr\u017e\u00ed slov p\u016fvodn\u00edho zn\u011bn\u00ed. Tento zp\u016fsob se vyu\u017e\u00edv\u00e1 tehdy, zn\u011bj\u00ed-li slova v jednotliv\u00fdch jazyc\u00edch zcela odli\u0161n\u011b a nen\u00ed mo\u017en\u00e9 p\u0159en\u00e9st v\u00fdznam textu, ani\u017e by nebyla naru\u0161ena zvukomalebnost slov a rytmus p\u00edsn\u011b<\/strong>.<\/p>\n\n\n\n
P\u0159ekladatel\u00e9 \u010dast\u011bji vol\u00ed tento styl, zejm\u00e9na v\u00a0p\u0159\u00edpad\u011b p\u0159ekladu do \u010desk\u00e9ho jazyka, kter\u00fd se nap\u0159\u00edklad od\u00a0angli\u010dtiny\u00a0hodn\u011b li\u0161\u00ed. Pro poslucha\u010de je obvykle sch\u016fdn\u011bj\u0161\u00ed, nebo\u0165 p\u0159i poslechu hudby je pro n\u011b v\u011bt\u0161inou\u00a0d\u016fle\u017eit\u011bj\u0161\u00ed melodie p\u00edsn\u011b ne\u017e slovn\u00ed h\u0159\u00ed\u010dky<\/strong>. Bohu\u017eel je tento typ p\u0159ekladu vzd\u00e1len\u00fd p\u016fvodn\u00edmu obsahu, kter\u00fd interpret zam\u00fd\u0161lel ve sv\u00e9 p\u00edsni.<\/p>\n\n\n\n
Pro porovn\u00e1n\u00ed poetick\u00e9ho p\u0159\u00edkladu m\u016f\u017eeme vyu\u017e\u00edt p\u0159eklad francouzsk\u00e9 p\u00edsn\u011b \u201eJe l\u2019aime <\/em><\/strong>\u00e0<\/em><\/strong> mourire\u201c<\/em><\/strong> (v p\u0159ekladu Miluji ji k smrti<\/em>) od Francise Cabrela, kterou p\u0159ezp\u00edvala do \u010desk\u00e9ho zn\u011bn\u00ed Lenka Filipov\u00e1 pod n\u00e1zvem \u201eZamilovan\u00e1<\/em><\/strong>\u201c<\/em>. P\u0159esto\u017ee samotn\u00fd n\u00e1zev p\u00edsn\u011b se v\u00fdznamov\u011b p\u0159\u00edli\u0161 neli\u0161\u00ed, samotn\u00fd text je p\u0159elo\u017een voln\u011b. Je zde v\u0161ak velmi kvalitn\u011b zachov\u00e1na zvu\u010dnost francouzsk\u00e9ho origin\u00e1lu. N\u00ed\u017ee si uvedeme \u010d\u00e1st refr\u00e9nu:<\/p>\n\n\n\n
Origin\u00e1ln\u00ed text refr\u00e9nu p\u00edsn\u011b Je l\u2019aime <\/em>\u00e0<\/em> mourire:<\/em><\/h3>\n\n\n\n
Elle a d\u00fb faire toutes les guerres (Musela se probojovat v\u0161emi bitvami)<\/em><\/p>\n\n\n\n
Pour \u00eatre si forte aujourd’hui (Aby dnes byla tak siln\u00e1)<\/em><\/p>\n\n\n\n
Elle a d\u00fb faire toutes les guerres de la vie (Musela se probojovat v\u0161emi bitvami \u017eivota)<\/em><\/p>\n\n\n\n
et l’amour aussi (a taky l\u00e1sky)<\/em><\/p>\n\n\n\n
Cel\u00fd text p\u00edsn\u011b si tak\u00e9 m\u016f\u017eete poslechnout\u00a0zde<\/strong><\/a>.<\/p>\n\n\n\n
P\u0159eklad refr\u00e9nu p\u00edsn\u011b v \u010desk\u00e9m zn\u011bn\u00ed:<\/h3>\n\n\n\n
Jen z r\u00e1dia hlas t\u011b\u0161\u00ed n\u00e1s <\/em><\/p>\n\n\n\n
p\u0159edpov\u011bd\u00ed po\u010das\u00ed<\/em><\/p>\n\n\n\n
Jenom ten hlas a nikdo v\u00edc nemluv\u00ed<\/em><\/p>\n\n\n\n
Kdy\u017e \u010de\u0161u si vlasy<\/em><\/p>\n\n\n\n
Celou p\u00edse\u0148 si tak\u00e9 m\u016f\u017eete poslechnout\u00a0zde<\/strong><\/a>.<\/p>\n\n\n\n
Doslovn\u00fd p\u0159eklad p\u00edsn\u00ed<\/h2>\n\n\n\n
Pokud je pro v\u00e1s p\u0159i p\u0159ekladu p\u00edsn\u011b d\u016fle\u017eit\u00e9 zachovat p\u016fvodn\u00ed v\u00fdznam slov a co nejv\u00edce se p\u0159ibl\u00ed\u017eit origin\u00e1lu, m\u016f\u017eete zvolit p\u0159ekladatelskou techniku doslovn\u00e9ho p\u0159ekladu. V p\u0159ekladech tohoto typu se ov\u0161em p\u0159\u00edli\u0161 nedb\u00e1 na gramatiku a podobnou zn\u011blost jazyk\u016f, nebo\u0165 se zam\u011b\u0159uje na v\u00fdznam<\/strong>. To b\u00fdv\u00e1 \u017e\u00e1douc\u00ed nap\u0159\u00edklad u p\u00edsn\u00ed, kter\u00e9 se vztahuj\u00ed k n\u011bjak\u00e9 ud\u00e1losti.<\/p>\n\n\n\n
Bohu\u017eel ne v\u017edy zn\u00ed dob\u0159e rodil\u00fdm mluv\u010d\u00edm jazyka, do kter\u00e9ho je p\u00edsni\u010dka p\u0159evedena. P\u00edse\u0148 se tedy nemus\u00ed l\u00edbit v\u0161em a zpravidla se tak nestane obl\u00edbenou \u0161irokou ve\u0159ejnost\u00ed. Tato technika p\u0159ekladu p\u0159edstavuje nelehk\u00fd \u00fakol, kter\u00fd zvl\u00e1dne pouze\u00a0velmi talentovan\u00fd a zku\u0161en\u00fd\u00a0p\u0159ekladatel<\/a><\/strong>. Zpravidla j\u00edm b\u00fdv\u00e1 rodil\u00fd mluv\u010d\u00ed. Naj\u00edt vhodn\u00fd ekvivalent v\u00a0c\u00edlov\u00e9m jazyce ke ka\u017ed\u00e9mu slovu tak, aby z\u016fstal co nejv\u00edce v\u011brn\u00fd origin\u00e1lu, tedy vy\u017eaduje hodn\u011b pr\u00e1ce.<\/p>\n\n\n\n
Jako p\u0159\u00edklad kvalitn\u00edho p\u0159ekladu, kter\u00fd se dr\u017e\u00ed p\u016fvodn\u00edho v\u00fdznamu slov origin\u00e1ln\u00edho textu, si m\u016f\u017eeme uv\u00e9st p\u00edse\u0148 Boba Dylana \u201eMaggie\u2018s Farm<\/em><\/strong>\u201c. Tu do \u010desk\u00e9ho zn\u011bn\u00ed velmi v\u011brn\u011b p\u0159evedl Robert K\u0159es\u0165an s n\u00e1zvem \u201eU Majdy na statku<\/em><\/strong>\u201c. M\u016f\u017eete si nap\u0159\u00edklad pov\u0161imnout zachov\u00e1n\u00ed nespisovn\u00fdch v\u00fdraz\u016f typick\u00fdch pro farm\u00e1\u0159skou mluvu.<\/p>\n\n\n\n
Origin\u00e1ln\u00ed text \u010d\u00e1sti p\u00edsn\u011b Maggie\u2018s Farm<\/em>:<\/h3>\n\n\n\n
I ain\u201ft gonna work on<\/em><\/p>\n\n\n\n
Maggie\u201fs farm no more<\/em><\/p>\n\n\n\n
No, I ain\u201ft gonna work on<\/em><\/p>\n\n\n\n
Maggie\u201fs farm no more<\/em><\/p>\n\n\n\n
Well, I wake in the<\/em><\/p>\n\n\n\n
morning<\/em><\/p>\n\n\n\n
Fold my hands and pray<\/em><\/p>\n\n\n\n
for rain<\/em><\/p>\n\n\n\n
I got a head full of ideas<\/em><\/p>\n\n\n\n
That are drivin\u201f me insane<\/em><\/p>\n\n\n\n
It\u201fs a shame the way she<\/em><\/p>\n\n\n\n
makes me scrub the floor<\/em><\/p>\n\n\n\n
I ain\u201ft gonna work on<\/em><\/p>\n\n\n\n
Maggie\u201fs farm no more<\/em><\/p>\n\n\n\n
Cel\u00e9 zn\u011bn\u00ed p\u00edsn\u011b si m\u016f\u017eete poslechnout\u00a0zde<\/strong><\/a>.<\/p>\n\n\n\n
P\u0159eklad \u010d\u00e1sti p\u00edsn\u011b v \u010desk\u00e9m zn\u011bn\u00ed:<\/h3>\n\n\n\n
U\u017e nebudu u Majdy na<\/em><\/p>\n\n\n\n
statku d\u0159\u00edt<\/em><\/p>\n\n\n\n
u\u017e nebudu u Majdy na<\/em><\/p>\n\n\n\n
statku d\u0159\u00edt<\/em><\/p>\n\n\n\n
kdy\u017e se r\u00e1no vzbud\u00edm, za<\/em><\/p>\n\n\n\n
d\u00e9\u0161\u0165 se pomodl\u00edm<\/em><\/p>\n\n\n\n
hlavu m\u00e1m plnou<\/em><\/p>\n\n\n\n
p\u0159edstav, z kterejch skoro<\/em><\/p>\n\n\n\n
mago\u0159\u00edm<\/em><\/p>\n\n\n\n
je hanba, \u017ee m\u011b nut\u011bj<\/em><\/p>\n\n\n\n
drhnout byt<\/em><\/p>\n\n\n\n
u\u017e nebudu u Majdy na<\/em><\/p>\n\n\n\n
statku d\u0159\u00edt<\/em><\/p>\n\n\n\n
Cel\u00fd text p\u00edsn\u011b si m\u016f\u017eete poslechnout\u00a0zde<\/strong><\/a>.<\/p>\n\n\n\n
Jakou metodu p\u0159ekladu p\u00edsn\u011b zvolit?<\/h2>\n\n\n\n
Jak\u00fd typ p\u0159ekladu zvol\u00edte, hodn\u011b z\u00e1le\u017e\u00ed na tom, jak\u00fd v\u00fdsledek o\u010dek\u00e1v\u00e1te<\/strong>, proto\u017ee ka\u017ed\u00fd p\u0159eklad slou\u017e\u00ed jin\u00e9mu \u00fa\u010delu. M\u016f\u017eete nap\u0159\u00edklad za\u010d\u00edt t\u00edm, \u017ee se nejprve pokus\u00edte p\u0159elo\u017eit p\u00edse\u0148 slovo od slova a n\u00e1sledn\u011b za\u010dnete prov\u00e1d\u011bt \u00fapravy za vyu\u017eit\u00ed voln\u011bj\u0161\u00ed p\u0159ekladu, aby v\u00fdsledek zn\u011bl melodi\u010dt\u011bji.<\/p>\n\n\n\n
D\u016fle\u017eit\u00e9 je sna\u017eit se zachovat poselstv\u00ed p\u00edsn\u011b<\/strong> (jako ve zmi\u0148ovan\u00e9 p\u00edsni \u201eZamilovan\u00e1\u201c<\/em> a pozm\u011bnit m\u00e9n\u011b d\u016fle\u017eit\u00e9 \u010d\u00e1sti<\/strong>, kter\u00e9 nelze p\u0159elo\u017eit do druh\u00e9ho jazyka zp\u016fsobem, aby d\u00e1valy smysl, a je\u0161t\u011b k tomu lahodily lidsk\u00e9mu uchu. M\u00edrn\u00e9 odch\u00fdlen\u00ed od v\u00fdznamu u\u010din\u00ed p\u00edse\u0148 atraktivn\u011bj\u0161\u00ed pro \u0161ir\u0161\u00ed publikum a z\u00e1rove\u0148 v\u00e1m p\u0159i procesu tvorby umo\u017en\u00ed b\u00fdt v\u00edce kreativn\u00ed.<\/p>\n\n\n\n
Je v\u0161ak dobr\u00e9 m\u00edt na pam\u011bti, \u017ee k\u00a0p\u0159ekladu p\u00edsn\u011b je pot\u0159eba nejen perfektn\u00ed znalost jazyka, ale tak\u00e9 hudebn\u00ed sluch a\u00a0cit pro melodii a rytmus<\/strong>. Pokud nav\u00edc p\u0159ekl\u00e1d\u00e1te star\u0161\u00ed p\u00edsn\u011b, jako je nap\u0159\u00edklad zmi\u0148ovan\u00fd Bob Dylan, m\u016f\u017ee b\u00fdt tak\u00e9 nutn\u00e1 znalost kontextu doby a ud\u00e1lost\u00ed, ke kter\u00fdm se p\u00edse\u0148 v\u00e1\u017ee. Pokud tedy chcete, aby v\u00fdsledek p\u0159ekladu byl kvalitn\u00ed, rad\u011bji vyu\u017eijte odborn\u00edky z\u00a0p\u0159ekladatelsk\u00e9 agentury<\/strong><\/a>, kter\u00e9 v\u00e1m zajist\u00ed \u017e\u00e1dan\u00fd v\u00fdsledek.<\/p>\n","protected":false},"excerpt":{"rendered":"
Zat\u00edmco n\u011bkte\u0159\u00ed lid\u00e9 poslouchaj\u00ed p\u00edsn\u011b p\u0159edev\u0161\u00edm pro jejich melodii a rytmus a samotn\u00fdm obsahem se p\u0159\u00edli\u0161 nezaob\u00edraj\u00ed, pro jin\u00e9 lidi je porozum\u011bn\u00ed slov\u016fm, kter\u00e1 interpret zp\u00edv\u00e1, velmi d\u016fle\u017eit\u00e9. P\u0159i p\u0159ekladu p\u00edsn\u00ed je mo\u017en\u00e9 zvolit jednu ze dvou technik. Zat\u00edmco jedna up\u0159ednost\u0148uje zn\u011blost p\u016fvodn\u00ed p\u00edsn\u011b, druh\u00e1 se sna\u017e\u00ed zachovat v\u00fdznam origin\u00e1ln\u00edho textu. P\u0159eklad p\u00edsn\u011b v\u0161ak nen\u00ed jednoduch\u00fd, jak […]<\/p>\n","protected":false},"author":1,"featured_media":3065,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-2259","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-slovnik-pojmu"],"meta_box":[],"_links":{"self":[{"href":"https:\/\/www.presto.cz\/cz\/wp-json\/wp\/v2\/posts\/2259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.presto.cz\/cz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.presto.cz\/cz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.presto.cz\/cz\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.presto.cz\/cz\/wp-json\/wp\/v2\/comments?post=2259"}],"version-history":[{"count":2,"href":"https:\/\/www.presto.cz\/cz\/wp-json\/wp\/v2\/posts\/2259\/revisions"}],"predecessor-version":[{"id":8487,"href":"https:\/\/www.presto.cz\/cz\/wp-json\/wp\/v2\/posts\/2259\/revisions\/8487"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.presto.cz\/cz\/wp-json\/wp\/v2\/media\/3065"}],"wp:attachment":[{"href":"https:\/\/www.presto.cz\/cz\/wp-json\/wp\/v2\/media?parent=2259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.presto.cz\/cz\/wp-json\/wp\/v2\/categories?post=2259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.presto.cz\/cz\/wp-json\/wp\/v2\/tags?post=2259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}